Why to convert mpg to FCP X (Final Cut Pro X) on Mac
Final Cut Pro X is built from ground up for pro video editors, and it now import and edit AVCHD, H.264, AVC-Intra, DVCPRO HD, but FCP X can’t import MPG or MPEG video format which is really a pain.
on many cases, people need to play and edit MPG files in FCP X (Final Cut Pro X) on Mac 64-bit including Snow Leopard and Lion. To make he process smooth, you need to convert MPG to FCP X with an
mpg to FCP X Converter for Mac which can help you convert mpg on Mac easily and import mpg to FCP X （FCP, FCE, iMovie included) successfully.
How to convert mpg to FCP X (Final Cut Pro X) for importing (HD) MPG to FCP X?
There are only three steps to convert mpg to FCP X.
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Step 1: Add .mpg videos to mpg to FCP X Converter for Mac
Assuming that all the video files have been already in computer hard drive. run mpg to FCP X Converter for Mac program, and load them. The program support batch load and convert video file.
Step 2. Select output format- MOV, MPEG-4.
This output format works for Final Cut Pro X, FCP, FCE, iTunes, iPad, iMovie, keynote,etc. Video settings will be optimized for FCP X.
Step 3: Start the MPG to FCP X conversion
After all is OK, just click ‘Start’ to convert mpg to FCP X MP4 or MOV. This conversion process will finish soon.
After the conversion, you can freely edit your .mpg videos in FCP X, iMovie to make an eye-catching home movie!
(Price: $35) 
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2011 Christmas Discount-15% OFF the Best Sellers
Christmas is coming, have you made your determination how to celebrate the traditional day? Watching a movie with your friends, playing a amazing party, or just having a wonderful dinner with your family? Whatever, it is confirm that you will record some wonderful videos or take some exciting photoes as a souvenir, and sharing them with your family or friends later. Now for the best selling video tools, you will get a special discount.
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For more information, please click: http://www.wonderful-software.com/
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iOrgsoft Software, a professional and pioneering individual consumer revolutionary video, digital imaging and DVD authoring software package software provider in China, announced the upgraded version 1.0.1 of Wonderful DVD Maker, this product is a new milestone for iOrgsoft which supplied a gap of iOrgsoft DVD converting product line. As newly-released but popular software, Wonderful DVD Maker will give both existing users and potential users unusual surprise and joy.
Wonderful DVD Maker is a relief to Windows users who find DVD converting too difficult and time-consuming. Its intuitive interface and breakthrough technology allow everyone to quickly convert videos and customize their DVD movies, including creating DVD movies from almost all popular video files like including AVI, XviD, DivX, MP4, MPG, MPEG, WMV, ASF, RM, RMVB, MOV, QT, M1V, M2V, M4V, DAT, VOB, MOD, DV, 3GP, 3G2, FLV, F4V, OGM, and H.264/AVC, MKV, M2TS, M2T, MTS, TS etc.
“Some of the challenging video playback problems like: Error reading resolution of some RM files,Problems that may cause the disorder of video frame,System crash problem are solved on the PC platform”, said Jeffrey Black, product manager, Professional Solutions, iOrgsoft. “The DVD Maker provides a smart way to meet these demanding requirements.” To address the direct needs of the Windows users, the Wonderful DVD Maker features its lightweight setup.
Advanced features of Upgraded DVD Maker:
Burn common videos to DVD
With this software, you are able to burn almost all the videos including MP4, AVI, HDV, WMV, MOV, FLV, MOV, MTS, M2TS, MKV, etc to DVD disk.
Support various DVD format
Videos can be backup to PAL or NTSC DVD discs including DVD-R, DVD+R, DVD-RW, DVD+RW, DVD+R DL with aspect ratio 4:3 or 16:9.
Generate the ISO files
If you don’t want to burn video to DVD at the moment, another choice for you is to generate the ISO files and save them on Native for future burning.
Clip the DVD video
You are able to clip certain segments out of videos, select the required part of each input video, and then burn them to DVD disk at once.
Set suitable DVD background
There are different styles of backgrounds for your option, due to the number of the videos added, you can specify the DVD background from the one of Cartoon series, life series and the Nature series.
Advanced customize on DVD
With the advanced version of DVD Maker, you are able to add background music to DVD, edit menu title for the DVD videos, select personalized play/pause button and video preview window.
Smooth playback videos on software
The software allows to playback any videos smoothly whatever they are RM or HD videos etc.
System Requirements and Software Availability
OS: Miscrosoft@ Windows 7, Windows 2000, Windows XP, Windows Vista
Processor: 1GHz Intel@, AMD@ processor or above.
RAM: 1GB of RAM
Free Hard Disk: Approximately 5GB of avaiable disk space
Graphic Card: Super VGA (800X600) resolution, 16-bit graphics card or higher
Others: DVD-ROM drive
For more specifications about Wonderful DVD Maker, please visit: http://www.wonderful-software.com/wonderful-dvd-maker/
(Price:$39.95) (For Free)
Panasonic Lumix DMC-LX5 Highlights
- 10.1 Megapixel Digital
- 3.8x 24mm Wide-Angle Leica Optical Zoom
- 3.0″ LCD Display
- Venus Engine FHD Image Processor
- Optical Image Stabilizer Stills & Movies
- Intelligent Auto Mode
- Film & My Color Mode
- High ISO Sensitivity (1600 – 12800)
- Multi Exposure Function
- Manual Control for Stills & Movies
Panasonic Lumix DMC-LX5 Overview
By combining a high-quality lens and sensor ready for a variety of shooting conditions with a wide-range of accessories and manual controls, the Panasonic Lumix DMC-LX5 Digital Camera (Black) is ideal for professional photographers and serious amateurs looking for a compact digital camera that allows for a full range of creative photography capabilities.
The camera incorporates a wide angle f/2.0 aperture Leica DC Vario- Summicron lens with 3.8x wide-angle optical zoom (equivalent to 24mm – 90mm on a 35mm film camera) and the MEGA O.I.S. (Optical Image Stabilizer) system. The camera also incorporates an enhanced 1/1.63-inch CCD that is capable of capturing 10.1-Megapixels and has been designed to provide more space for each pixel to minimize image noise and optimize image quality and dynamic range. The CCD is also capable of reproducing images in 4 aspect ratios (4:3, 3:2, 16:9 or 1:1), and the Multi Aspect mode allows the camera to take an image in all three aspect ratios simultaneously. It also boasts the Venus Engine FHD high performance image processing LSI to dramatically reduce image noise (even using the high sensitivity setting of ISO 12800), and provide fast shooting performance with an incredibly fast shutter lag, and burst shooting capability.
The DMC-LX5 is further distinguished from other cameras by its full manual capability for both stills and video. These features include a Film mode that allows users to emulate the effects of different film types, a multiple-exposure feature for creating artistic photos by overlaying up to three consecutive images, and easy-to-use Manual modes that give the user greater shot-making flexibility and control. If you choose not to use the manual mode, then Intelligent Auto Mode will do all the work for you. In addition the camera can also capture video clips in HD, and standard video formats.
The camera’s large 3.0-inch LCD is outstanding for both shooting and viewing. With a 3:2 aspect ratio and high 460,000-dot resolution, the LCD panel provides bright, easy-to-see images over a wider viewing angle. Furthermore, the Intelligent LCD function, assures comfortable viewing in virtually all conditions by automatically adjusting the backlighting of LCD as the ambient light level changes. The camera also provides an impressive slideshow feature where users can select the images, choose for a series of creative transitions and even add music to the presentation – all within the camera. And the camera has HD output capability (Requires an optional HDMI cable) to view your images, slideshows and video clips in beautiful HD quality.
- Large 1/1.63″ 10.1-Megapixel High Sensitivity CCD
- The CCD in the DMC-LX5 produces high resolution, noise-less images even in high sensitivity recording and richly reproduced gradation in highly contrasted situations with the exquisitely wide dynamic range. Taking advantage of the high sensitivity CCD and the brightness of the lens, minimum illumination of the DMC-LX5 is as low as 3 lux in movie recording. Also, the maximum setting is ISO 12800 enabling shooting in extremely dark places.
- High-definition motion Movies in AVCHD Lite
- In addition to Motion JPEG images, the DMC-LX5 can record high-definition motion images in AVCHD Lite. This format features almost doubling the recording time in HD quality compared with the conventional Motion JPEG format. And Such AVCHD Lite files are not supported well by most Mac or Windows software like iMovie, FCP, FCE, Avid, Movie Maker, Media Player, DVD Maker, etc, we need use an AVCHD Lite Converter for Mac. (Windows: AVCHD Lite Converter.
- Dynamic Range
- The expanded dynamic range is made possible by the improvement of on-tip-lens design with larger light concentration and VCCD expansion while deepening the photo diode to manage richer signal more effectively.
- 24-90mm f/2.0-3.3 Ultra-Wide-angle Leica Lens
- The lens unit consists of 10 elements in 9 groups with 3 aspherical lenses with 5 aspherical surfaces. Minimal distortion, high resolution, minimum artifacts such as chromatic aberrations, ghosting and flaring are the proof of uncompromising imaging made possible by an f/2.0 24mm ultra wide-angle Leica DC Vario- Summicron lens.
- The 24mm ultra wide-angle lens is rare on a compact camera. It gives you a wider range of composition possibilities. The super-high-quality Leica DC Vario- Summicron lens minimizes distortion at the wide end, so you can get stunning, true-to-life images with outstanding resolution and detail. The DMC-LX5 captures approx. 213% larger viewing space compared to that of normal 35mm cameras, and even approx. 136% larger compared to that of 28mm wide-angle lens.
- The fully open f/2.0 aperture lends a beautiful soft focus to photos with a shallow depth of field. It is especially effective for macro shots of flowers, insects, or intricate objects. This setting is also ideal for dimly lit scenes that require greater exposure, such as deep, natural forests, dimly lit historic buildings, and artwork displays. In addition, the DMC-LX5 lets you get as close as 1cm to your subject. The fully open f/3.3 aperture combines with the 90mm telephoto end of the zoom produces optimal portraits. The high resolution and excellent contrast also express fine details, with natural gradation for smoother complexions.
- Digital Zoom
- Thanks to intelligent resolution technology, the intelligent zoom is available with the DMC-LX5 which extends the zoom ratio by approx. 1.3x maintaining the picture quality when using the digital zoom. This means the 3.8x optical can virtually extend to 5.0x equivalent. Furthermore, the extra optical zoom function that extends zoom power to 6.7x by using the center part of the large CCD to bring subjects even closer.
- Step Zoom
- The Step Zoom function, allows you to set the zoom to 24mm, 28mm, 35mm, 70mm or 90mm via the menu. This is like changing fixed focal length lenses on a D-SLR. Max. 800mm is available if combining the Intelligent Zoom and digital zoom.
- MEGA O.I.S. with Intelligent ISO Control
- Everyone has had an experience of taking a photo at night and hoping to capture all the memories and beauty, only to be disappointed at the poor result. Panasonic has worked on the low-frequency vibration hand-shake component, which is physically generated when pressing the shutter button or when shooting at night with a slow shutter speed. The POWER O.I.S. (Optical Image Stabilizer) nearly doubles the hand-shake correction power of conventional MEGA O.I.S. You get bright photos without blurring even from handheld shooting at slow shutter speeds.
- Multi Aspect Ratios
- Conventional cameras generally use almost the entire CCD area when recording an image. The DMC-LX5, however, employs a 1/1.63-inch CCD with a total resolution of 11.3 megapixels. Using only about a 10.1 megapixel area of this large CCD makes it possible to give three aspect ratios – 16:9, 3:2, and 4:3 – the same angle of view with lens settings from 24mm to 90mm (35mm camera equivalent). And rather than digitally producing “simulated” images, the DMC-LX5 captures the actual, real-life image for each one of the aspect ratios at the ultra-wide 24mm setting.
- Aspect Switch, Aspect Bracket & 1:1
- The aspect ratio can be changed directly with the aspect switch on the lens barrel from 4:3, 3:2, 16:9 and 1:1. The 1:1 aspect ratio is a unique square frame that adds to your possibilities. Aspect Bracket lets the camera take an image in all aspect ratios simultaneously, so you can choose the best one after shooting.
- Venus Engine FHD
- For the image processing, the DMC-LX5 features the Venus Engine FHD provides higher-speed, higher-performance while compiling the intelligent resolution technology. It enables the recording of beautiful photos and high-definition movies with higher quality signal processing. The triple CPUs in this imaging engine dramatically speed up processing while achieving exceptional noise reduction performance. The Venus Engine FHD’s excellent energy efficiency supports long-time AVCHD Lite movie recording, and allows the output of both images and sounds via HDMI.
- Sonic Speed AF
- The Sonic Speed AF system in the DMC-LX5 includes a higher-speed actuator, optimized algorithms and parallel software processing. The result is fast and accurate AF performance. You can quickly get moving subjects in focus, such as when you’re shooting sports scenes.
- Fast Start-up & Short Release Time
- The parallel processing of software resulted in ultra high-speed start-up and the shutter release time lag is as short as approx. 0.007 second, making it easy to capture sudden, spur-of-the-moment photo opportunities.
- Intelligent Resolution
- The advanced image processing technology “Intelligent Resolution*” is incorporated in the Venus Engine FHD for the DMC-LX5. With the Intelligent Resolution technology, 3 areas – outlines, detailed texture areas and soft gradation areas – are automatically detected and optimum signal processes are performed to each area. Apart from the uniform enhancement of sharpness, the innovative technology of Intelligent Resolution precisely performs signal processing pixel by pixel in the most effective way for it. As a result, images are naturally clear and crisp in both photo and movie recording.
- High Sensitivity – Low Noise
- The graininess that results from picture noise and the flatness that sometimes comes with noise reduction measures are major concerns when shooting at high sensitivity levels. The Intelligent Resolution minimizes noise to produce sharp, clear images.
- Extended Battery Life
- The energy-saving Venus Engine FHD image processing engine and the efficient, rechargeable lithium-ion battery work together to extend the shooting time of the DMC-LX5. This lets users take approx. 400 shots on a single battery charge.
- RAW Format
- You can get original image data, recording the image directly from the sensor without any image processing. The SILKYPIX Developer Studio 3.1 SE software utility lets you develop RAW data files. For example, you can develop RAW data to create an image with the effect you were trying to capture when you took the shot. You get high-level basic image processing abilities that give you control over such things as unnatural edges from saturated color borders, false colors in structures with intricate detail, and chromatic noise in photos taken at high sensitivity settings. This utility provides a unique combination of high resolution and extraordinary color separation performance.
- Built-in Flash
- Select the flash synchronization you want from 1st Curtain Sync. or 2nd Curtain Sync. This is effective for capturing nightscapes with a natural flow of light. You can adjust the intensity within a range of +/-EV 2 in 1/3 EV steps.
- 3.0″ 460,000-dot Intelligent LCD
- The DMC-LX5 is equipped with a 3.0″, 460,000-dot Intelligent LCD with super high resolution and a wide viewing angle. The big screen reflects fine details, making it easy to check the focus before shooting. It also serves as a small photo and video viewer, allowing the user and friends to enjoy viewing the still and motion images together. Plus, adopting the High CRI (Color Rendering Index) LED backlight realizes vivid, impressive color reproduction true to the memory color that your eyes remember. The Intelligent LCD function automatically adjusts the brightness in 11 steps according to the shooting conditions. At the highest of these 11 steps, the LCD backlight becomes approx. 1.4 times brighter than normal. In addition, the AR (anti-reflective) coating LCD minimizes glare and provides clear images, for high visibility even in outdoor brightness.
- Intelligent Auto
- In the iA (Intelligent Auto) Mode, the camera does all the work, leaving you free to compose shots and capture moments. Just press, aim and shoot. Detection and correction functions work appropriately just by entering the iA Mode for you to take beautiful photos and movies with maximum ease. In addition, the intelligent resolution technology is always activated in the iA Mode, which results in the clearer and higher image quality in every photo and movie with extended zoom range equivalent to 5x optical zoom by the intelligent zoom. iA Mode automatically and simultaneously activates advanced detection functions: The POWER O.I.S. (Optical Image Stabilizer) to detect hand-shake, the Face Detection AF/AE to detect faces in the frame, the Intelligent Scene Selector to detect scene conditions, and the Intelligent Exposure to detect the ambient light. It also activates AF tracking, Intelligent ISO Control, and Happy Mode.
- Intelligent Exposure
- The Intelligent Exposure instantly analyzes the framed image and adjusts the brightness in areas that are too dark due to dim lighting, backlighting or use of the flash. Adjusting the brightness of dark areas, this produces natural images that are close to the way they actually look to the human eye. The DMC-LX5 lets you adjust the effect in three levels – high, normal, and low.
- Auto Bracketing
- The Auto Bracket function records 3 photos at varied exposure levels in a compensation range of ±EV 3 in 1/3 EV steps. Then you can select your favorite photo from the different exposure settings.
- Scene Modes
- The DMC-LX5, a hybrid still/motion image model, includes numerous Scene Modes for taking stills and movies. Switching from still-image to movie shooting is seamless because the optimal Movie Scene Mode is automatically selected. The versatile Scene Mode range is a unique Lumix feature that handles just about any situation and subject type. By simply selecting a Scene Mode, the camera makes the optimal settings for you automatically, so anybody can take superb photos and movies with ease.
- Panorama Assist Mode
- This is a handy function for aligning panorama photos using the included software PHOTOfunSTUDIO 5.0 HD Edition. The after image of each previous shot is displayed, so you can use it to precisely line up the second and third shots.
- Manual Functions
- Manual functions are the key to taking highly controlled and distinctive photos. Aperture-priority Mode lets you open the aperture up wide for stunning portraits with softly focused backgrounds. Shutter-priority Mode makes it possible to express the dynamic power of a flowing stream by slowing down the shutter speed. And Manual Exposure Mode gives you total control of special shots, allowing you to achieve a higher level of photographic beauty.
- Manual Exposure Asst
- When you choose the Manual Exposure Mode, this function shows how much your setting differs from the setting the camera considers optimal. This serves as a convenient guide for anyone using the Manual Exposure Mode.
- Exposure Compensation
- You can adjust the exposure within a range of +/-EV 3 in 1/3 EV steps. In Program AE, Aperture-priority, and Shutter-priority Modes, you can retrieve the exposure compensation value and manually adjust it directly with the jog dial.
- Program Shift
- You can use Program Shift in Program AE Mode to keep the exposure fixed while changing the combination of shutter speed and aperture. This function lets you choose the exposure setting yourself to capture exactly the image you want.
- Quick Menu
- Frequently used functions can be quickly retrieved and easily switched by using the Q.MENU button. The function names are displayed in text form, making them easy for anyone to understand and use.
- Custom Mode
- Custom Mode 1 lets you register a series of settings you use often, you can instantly recall a pattern of the settings. And Custom Mode 2 lets you register patterns for up to 3 more settings. Together, they store 4 sets of frequently used settings in memory, for instant recall with the mode dial.
- Function Button
- You can allocate frequently used functions to the Function button. Functions that normally have to be selected from a menu or switched can be assigned to this button for faster, easier operation.
- Film Mode
- The same way photographers select different films for their distinctive coloring and contrast, you can manually choose from 6 color types and 3 monochrome types － even when shooting movies. When shooting in black and white, the contrast, sharpness and noise reduction for each mode parameter can be customized in five steps and stored in memory. The same is true when shooting in color, with the addition of the saturation adjustment. You can make a total of 4,125 settings, and you can get the exact image you want.
- My Color Mode
- The My Color Mode is a special option that gives free reign to your creativity and makes it easier and more fun to create interesting, expressive images. You can adjust the settings that best suit the shooting conditions and your expressive intent, for greater photographic control. It is available also in movie recording giving you a wider range of expressive possibilities to explore.
- White Balance
- Two-axis adjustment feature gives you a finer white balance adjustment for Auto, Daylight, Cloudy, Shade, Flash, or Halogen conditions. It can also be used when adjusting the Color Temperature setting or White Set function. You can adjust with a reference to the horizontal axis for amber to blue and the vertical axis for green to magenta. With still image recording, you can use the White Balance Bracket setting, which automatically shoots 3 consecutive photos with slight changes to the white balance setting of each photo in both the vertical and horizontal axes, by simply pressing the shutter button once.
- ISO Sensitivity
- You can set the ISO sensitivity to Auto, Intelligent ISO, 80, 100, 200, 400, 800, 1600, 3200, 6400 or 12800 from the newly adapted ISO Button. When the ISO sensitivity step is set to 1/3 EV, the number of ISO sensitivity setting options increases, allowing you to make fine adjustments and achieve the level of image quality you want.
- In Manual Exposure Mode, you can either select ISO Auto or make settings from ISO 200 to ISO 3200. With ISO Auto, once you set the aperture and shutter speed, the camera automatically judges the ISO sensitivity and maintains the appropriate exposure. For example, you have to use a fast shutter speed to capture moving subjects, while closing down the aperture enough to extend the depth of field for focusing ease. With this kind of shot, you can set the shutter speed and aperture manually, and then leave the exposure up to ISO Auto.
- Consecutive Shooting
- The DMC-LX5 lets you snap off consecutive shots at approx. 2.5 frames per second even in RAW format. You can take a series of shots, then choose the one you like the best and delete the rest. You can also select High-speed burst mode or flash burst mode from Scene Mode.
- Multi Exposure Function
- The Multi Exposure function lets you take up to three exposures in a single frame. For example, you can layer subjects that wouldn’t ordinarily appear in the same frame by making one of them translucent and super-imposing the other for an artistic effect, or make one subject appear two or three times in the same frame. By shooting from two opposite directions, you can create a symmetrical mirror effect. The DMC-LX5 allows you to shoot while checking the image. After you’ve taken the first shot, it appears with a translucent effect, so you can use it to set up your second shot. The same for the third shot. The camera also automatically adjusts the gain to optimize the exposure.
- Focus Switch
- The focus switch on the lens barrel lets you quickly change the focus mode between AF, AF-Macro or MF. The focus button helps to achieve finer focusing during both shooting and playback. During AF operation, it serves to activate the variable AF area, and during MF operation, it changes to a handy One-shot AF to provide initial focusing. During playback, this convenient and important function gives you one-touch zoom playback of subjects in focus.
- Variable AF Area
- You can select the AF setting from Face AF, AF Tracking, Multi-AF (23-area) or 1-area AF. With the 1-area AF, the position of the AF area can be freely moved. This is convenient when you want to frame a shot for a special effect, like focusing on a subject at the very edge of the frame. The AF frame size can also be selected from among Spot, Normal, L, and XL.
- Continuous & Quick Auto Focus
- The DMC-LX5 can be preset to either Continuous AF or Quick AF. Continuous AF automatically and continuously focuses on your subject, providing a clear, sharp focus even for moving subjects. Quick AF starts operating as soon as the camera is pointed toward a subject, in comparison with the ordinary AF function, which is activated when the shutter button is pressed half-way. Both Continuous AF and Quick AF dramatically reduce the shutter delay time and let you take pictures quickly. They are ideal for taking photos of children and pets, sports action, and animals in nature. And they make sure that spur-of-the-moment shots aren’t out of focus or blurry, and minimize the time lag for shooting.
- AF/AE Lock Button
- The AF/AE Lock button lets you frame your shot freely while keeping the focus locked, or maintains the same exposure setting regardless of the subject color when taking multiple shots.
- Manual Focus
- Select manual focus with the focus switch on the lens barrel, and use the jog dial for super-smooth focusing. When you focus in the manual focus mode, not only the focus distance but also the DOF (depth of field) according to the zoom range and aperture is displayed.
- Manual Focus Assist
- MF Assist function enlarges the image to make focusing easier. The focusing area is movable, which also contributes to easy and comfortable manual focusing.
- Macro
- The DMC-LX5 lets you get as close as 1cm to your subject. When the focus switch on the lens barrel is set to AF-Macro, or when the iA (Intelligent Auto) Mode is selected, Macro Mode is activated automatically. This is ideal for taking dynamic, intricate close-ups of flowers and insects, or for rendering artwork and handicrafts in spectacular detail and rich expression.
- Movable Guide Lines
- With the DMC-LX5, you can move the guide line according to the subject’s position. This is handy when you want to take extra care in framing, especially when using a tripod.
- Optional Accessories
- The DMC-LX5 is a system camera with a wide variety of options to choose from to match your shooting situations and style, including external viewfinders, external flashes, wide conversion lens, ND filter, PL filter and fast-draw leather carrying case. These accessories let you further improve the DMC-LX5′s mobility, while upgrading the system to ensure you don’t miss those once-in-a-lifetime shooting opportunities.
- Minimum illumination
- The minimum illumination is as low as 3 lux thanks to the f/2.0 super bright Leica DC Vario- Summicron lens and the high sensitivity CCD.
- Optical Zoom During Video Shooting
- The DMC-LX5 lets you use the 3.8x (25-95mm in 35mm camera equivalent in movie recording) zoom for motion images. It takes you up close for nature, sports and other distant scenes.
- Intelligent Auto for Movies and Stills
- The iA (Intelligent Auto) Mode is also available in motion image recording. The iA Mode automatically and simultaneously activates 4 advanced detection functions: The POWER O.I.S. (Optical Image Stabilizer) to detect hand-shake, the Face Detection AF/AE to detect faces in the frame, the Intelligent Scene Selector to detect scene conditions, and the Intelligent Exposure to detect the ambient light. Since the camera automatically optimizes the settings, it lets you shoot stunning HD movies every time.
- Creative (Manual) Movie Mode
- Apart from the movie recording capability of conventional digital compact cameras, the DMC-LX5 also features a Creative Movie Mode, which lets you set the shutter speed and aperture manually to make even more impressive movies. Changing the shutter speed brings special effects to movies, which is especially suitable for shooting fast-moving subject. The ability to control the aperture is convenient when there are several subjects at different distances and it is desired to have each of them stand out.
- My Color Mode & Film Mode for Movies and Stills
- You can use the My Color Mode and Film Mode for shooting movies. They render highly unique expressions by matching the colors to your subject and surroundings. In the iA Mode, you can apply Happy Mode as well, for even brighter coloring.
- Scene Mode for Movies
- You are naturally supposed to take the same subject in the same situation when you start recording movie while recording photos. So you do not have to set the Scene Mode again for movie recording once you are in the Scene Mode of photo recording. The result is a beautiful movie best optimized for the scene.
- High Quality Sound
- The DMC-LX5 features Dolby Digital Creator to record high quality audio, so you can match your beautiful movies with outstanding sound.
- Wind Cut
- The Wind Cut function is available to block out most of the noise from background wind. This gives you higher quality sound when taking images on breezy days.
- Category Playback
- You can playback photos from a total of 10 settings, including the Face Recognition, which lets you search for and retrieve specific subjects.
- PictBridge
- The PictBridge standard lets you print directly on a compatible digital printer. Print size, layout, date and other settings can be made with the camera. Of course, you can also make multiple prints of an image, or print only the ones that you have selected.
- Slideshows with Music
- The DMC-LX5 can play a slideshow with music. Choose from 4 types of music: natural, slow, swing and urban. Then, select the transition effect to match your music. You can also use the optional mini HDMI cable to connect the camera to an HDTV for breathtaking, large-screen viewing*. For musical slideshows created with the included PHOTOfunSTUDIO 5.0 HD Edition, you can choose your favorite iTunes music file as background music and burn it onto a DVD disc as an MPEG2 file. It is also possible to upload the slideshow to YouTube.
- Photographer’s Name Recorded
- The photographer’s name can be embedded to the EXIF information of the picture and it can be confirmed via the updated PHOTOfunSTUDIO 5.0 HD Edition.
- Title Edit/ Text Stamp
- The Title Edit function in playback mode lets you edit the titles of any photos you want. Baby Mode and Pet Mode, let you enter the date of birth and name of your subject in advance. With the DMC-LX5, you can also enter your destination and the date of travel in advance, in the Travel Date setting. The title, name, age based on the birth date, date of travel information, and date of shooting are displayed during playback, and can be printed on photos.
- PHOTOfunSTUDIO 5.0 HD Edition Software
- The latest version of exciting software PHOTOfunSTUDIO 5.0 HD Edition comes bundled with the DMC-LX5. With quick start-up and fast read-in of images, the PHOTOfunSTUDIO 5.0 HD Edition makes it possible to sort and organize photos not only of those newly taken but also of those stored in your computer. The Face Recognition function that recognizes the faces in the image to automatically sort the photos by the registered faces without picking out each photo one by one when you only want images of a specific person. You can also enjoy slideshows with a variety of effects and use your iTunes music library as background music and burn it onto a DVD disc in MPEG2. Motion images can be uploaded directly to YouTube using the built-in YouTube uploader even in HD (High Definition) quality. It also lets you create a 360° rotation panorama file in MOV, which is especially easy if Panorama Assist Mode in the camera is used. The software is of course compatible with the Windows 7.
- SILKYPIX Developer Studio 3.1 SE Software
- The DMC-LX5 records original image data in RAW file format, which allows images to be developed according to your intention. A number of highly advanced functions can be applied to these RAW images by using the SILKYPIX Developer Studio 3.1 SE software utility, with its unique combination of high resolution and extraordinary color separation performance.
Original from:bhphotovideo.com
The Samsung Galaxy S2 powered with Dual Core application processor, coming with 4.3 inch Super AMOLED Plus display, slim design (8.49mm), reader hub, Wi-Fi Direct, Samsung Kies 2.0 & Kies air, full HD recording & playback and more.
Here the article will guide you how to connect your Galaxy S2 to a computer (Windows or Mac) with a data cable in USB connection modes. By connecting the Android smartphone to your Windows or Mac machine, you are able to transfer films, videos, music or other data to and from your Samsung Galaxy S2 directly and use the Samsung Kies program.
Tip: If you want to put those videos (like VOB, TiVo, MXF, AVI, MKV, etc) unsupported by the Samsung Galaxy S2, just convert the video to Galaxy S2 H.264 MP4 via a comprehensive Galaxy S2 Video Converter (for Mac). Meanwhile, you can also use a powerful DVD to Galaxy S2 Converter (for Mac) to help you rip any DVD to H.264 MP4 for watching on Galaxy S2.
Solution I: Connect with Samsung Kies for transferring movies, videos or music.
To start, you should ensure that the Samsung Kies is installed on your computer. If not, you can download the program here:
Download Kies for Windows | Download Kies for Mac
Or, you can directly download the program from the Samsung website (www.samsung.com)
Step 1: Connect the multifunction jack on your Galaxy S2 to your Windows/Mac by using a data cable.
Hint: The Samsung Kies will launch automatically. If the program doesn’t automatically launch, just double-click the Kies icon on your Windows or Mac.
Step 2: Copy films, videos or music from the computer to your Galaxy S2.
Solution II: Connect as a mass storage device to transfer movies, videos or music
You could connect your Galaxy S2 to your computer as a removable disk and access the file directory. And if you insert a memory card in the device, you can quickly access the file directory of the memory card by using your Galaxy S2 as a memory card reader.
(Notice: After connecting the Samsung Galaxy S2 to your computer, the file directory of the memory card will appear as a removable disk, separate from the internal memory.)
Step 1: In ldle mode, open the application list and select Settings < Wireless and network < USB utilities < Connect storage to PC.
Step 2: Select OK to confirm if necessary.
Step 3: Connect the multifunction jack on your Galaxy S2 to your computer by using a data cable.
Step 4: Select Connect USB storage when connected.
Step 5: Select OK to confirm if necessary.
Step 6: Open the folder to view the content. Then copy film, video or music files from the computer to the memory card.
Step 7: Select Disconnect storage from PC when the media files are transferred onto the memory card of your Galaxy S2.
After getting movies, video or music files onto your Galaxy S2 (no matter which solution you choose here), you could easily enjoy them wherever you go.
That’s all! Hope the guide on how to transfer video files from computer to Galaxy S2 helps!
The HP TouchPad is HP’s first webOS tablet designed to work like you. Letting you connect, play, surf and share more easily. It features an ample screen real estate of 9.7 inches with resolution of 768×1027 pixels.
Just have lots of movie and music files stored on your computer and hope to copy them onto your new HP TouchPad so that you could watch them anywhere anytime to kill your boring time? The guide on how to copy media files between your HP TouchPad and your computer (including Windows and Mac) must be what you need.
As for video playback, you should know that not all movie and music files are supported by the HP TouchPad, and the device can only support playing video formats in MPEG-4, H.264, H.263, and audio formats such as WAV, MP3, AAC, AMR, etc.
So be sure all the video and audio files you want to transfer are the HP TouchPad supported media formats. For those unsupported video files, you can use a comprehensive HP TouchPad Video Converter or Mac TouchPad Video Converter to help you convert the unsupported format to the HP TouchPad supported one.
As for DVD movie files, you could use a powerful DVD to TouchPad Converter or Mac DVD to TouchPad Converter to rip and convert them for the TouchPad without quality loss.
(Tip: Before you copy files from your computer, make sure you have enough storage space on your device to fit the movie and music files.)
Here’s the step-by-step guide:
Step 1: Connect your HP TouchPad to your computer using the USB cable.
Step 2: On your device, tap USB Drive. On your computer, the HP TouchPad appears as a removable drive.
Step 3: On a Windows computer, if the Found New Hardware wizard opens, click Cancel to close the wizard.
Step 4: Open My computer (Windows XP), Computer (Windows Vista/Windows 7), or the Finder (Mac); double click the drive representing your device; and drag and drop movie/music files to your device. The drive displays folders that you can use to organize files you copy. You can also create your own folders.
Step 5: End the connection safely. If you don’t eject safely, the HP TouchPad resets and may experience data loss when you disconnected the USB cable:
How to end the connections safely?
On a Windows computer, right-click the drive representing your TouchPad and click Eject.
On a Mac computer, from your desktop, drag the drive representing your TouchPad to the Trash. Trash changes to Eject.
Step 6: Disconnect the USB cable from the computer when the USB drive screen is no longer displayed on your HP TouchPad.
After all the above operations, you could easily enjoy movies and music on the HP TouchPad as you wish.
That’s all! Hopefully the tutorial of transferring movies/music to HP TouchPad will make it easier and faster to copy media files onto the HP TouchPad for you!
There’s the TV and digital video recorder in your family room. You have a PC and a tablet running Android such as Asus Eee Pad Transformer, along with a network attached storage device(NAS). Then it takes only two steps to listen to music or watch movies on your TV/PC/tablet: 1. Transfer the recorded or other media to the NAS; 2. Select your media file that is automatically detected by your digital media player(DMP) for playback, as long as they are all DLNA-certified devices.
The NAS here is described as a digital media server(DMS). It streams media files to DMP, either wired or wirelessly. As for PC or tablets, they can be both DMS and DMP — if all required apps are installed. In addition, you may use your PC or Eee Pad Transformer to remote control your TV to play movies on the NAS, if they are all properly connected to each other via local network and have the third-party DLNA apps set correctly. Currently all personal computers running Windows, Linux or Mac OS X are able to be turned a DMS or DMP as there are programs for all the three platform, while tablets running Android only are available for such app. (Motorola Xoom, Samsung Galaxy Tab, Asus Eee Pad Transformer, etc.)
The DLNA has a protocol for certified devices on required and optional media formats support to achieve a baseline for network interoperability, including image, audio and video with audio (AV). DLNA requirements on media format support apply to media content that passes over the home network from a DMS or M-DMS device to a DMP or M-DMP device. Table 1 and Table 2 show the current set of required formats and optional formats as defined in the DLNA guidelines. The network interoperability model for media formats is as follows:
All DMS, DMP, DMR, DMC, and DMPr devices, and their counterpart MHD devices, must support all formats designated in Table 1 and Table 2 as required for any of the media classes and device category they support. In the addition, all DMS/M-DMS and DMP/M-DMP/M-DMD devices may support any additional formats designated as optional for any of the media classes they support.
Any DMP, M-DMP, DMR, M-DMD and DMPr device must be able to receive content from any DMS or M-DMS device. A DMS or M-DMS device may stream content in its native format if the receiving device supports such native format. Otherwise, that DMS or M-DMS device should transcode the native format to one of the applicable required formats or to a format understood by the rendering device.
| Table 1. DLNA Media formats for Home Devices |
| Media Formats |
Required Formats Set |
Optional Formats Set |
| Imaging |
JPEG |
GIF, TIFF, PNG |
| Audio |
LPCM (2 channel) |
MP3, WMA9, AC-3, AAC, ATRAC3plus |
| Video |
MPEG2 |
MPEG1, MPEG4, WMV9 |
| Table 2. DLNA Media formats for Mobile/Handheld Devices |
| Media Formats |
Required Formats Set |
Optional Formats Set |
| Imaging |
JPEG |
GIF, TIFF, PNG |
| Audio |
MP3 and MPEG4 AAC LC |
MPEG4 (HE AAC, AAC LTP, BSAC), AMR, ATRAC3plus, G.726, WMA, LPCM |
| Video |
MPEG4 AVC (AAC LC Assoc Audio) |
VC1, H.263, MPEG4 part 2, MPEG2, MPEG4 AVC (BSAC or other for Assoc. Audio) |
Hope the article DLNA-certified Android Tablets — Share your entire media library wirelessly helps. Thanks for reading.
One of the fiercest fights in the tech world, Google versus Apple, is still centered in California’s Silicon Valley. But now a Chicago-area company, Motorola Mobility, has been tapped for a major supporting role with its proposed sale Monday to Google for $12.5 billion in cash.
The deal, a well-kept secret in an industry that loves a rumor as much as a shiny new gadget, would put Libertyville-based Motorola Mobility Holdings Inc. and its smartphone business in the hands of Google Inc., whose Android operating system for mobile devices represents the biggest challenge to Apple Inc.
Unlike Apple, Google hasn’t participated directly in handset manufacturing, choosing to license Android software to partners such as HTC, Samsung and Motorola. Now, Google would get control of one of those phone-makers and, perhaps more crucially, ownership of Motorola’s thousands of patents, giving it a potential leg up in another brutal fight: litigation involving Apple, Google and other smartphone technology companies over patent infringements.
The deal would mark a quick end to Motorola Mobility’s run as an independent company with an impressive legacy but second-tier status. It was spun off from Motorola Inc. in January. Motorola introduced the first commercial cellphone and dominated the industry last decade with the Razr, but then lost momentum. Today, Apple’s products are market and buzz leaders, while Google is getting acclaim for the way it is adapting its knowledge of the Internet to mobile computing.
The $12.5 billion price tag represents a 63 percent premium over Motorola Mobility’s closing share price on Friday and is the largest amount that Google has paid to acquire a company. The deal is subject to regulatory approval and is expected to close by the end of 2011 or early 2012.
Google has not spelled out all its plans, but it indicated that it would let Motorola Mobility run as an independent company. It is unclear how Motorola Mobility’s 3,300 employees in Libertyville would be affected. This uncertainty extends to Motorola Mobility’s deal with the state of Illinois, which in May agreed to give the company $117 million in incentives over 10 years to stay in Illinois and retain about 2,500 jobs. Motorola Mobility CEO Sanjay Jha had been thinking of moving the headquarters to his home state of California, where the company has several offices.
What is certain is that Google would gain an advantage in the patent wars raging in the smartphone industry. The company would get Motorola Mobility’s portfolio of 17,000 patents and another 7,500 pending. The large arsenal of intellectual property could deter companies from suing Google over Android.
“Our acquisition of Motorola will increase competition by strengthening Google’s patent portfolio, which will enable us to better protect Android from anti-competitive threats from Microsoft, Apple and other companies,” Google Chief Executive Larry Page said in a Monday blog post.
Jha said the companies have had a productive partnership to advance the Android platform, “and now through this combination we will be able to do even more to innovate and deliver outstanding mobility solutions.”
Activist investor Carl Icahn, who owns roughly 11 percent of Motorola Mobility and had been pushing the company to wring more value from its patents, praised the deal.
The last several years have seen a flurry of lawsuits and countersuits over infringement of smartphone technology patents. Apple is suing HTC. Microsoft and Motorola are suing each other over mobile technology. Oracle sued Google last year.
“The reason they bought Motorola was to get the (intellectual property) and potentially form a protective bubble of IP around the operating system,” said Avi Greengart, research director for consumer devices at Current Analysis. “So if you’re an Android licensee, you’ll have access to all that IP.”
While the deal could be helpful for Android handset-makers on the intellectual property front, it raises the risk of alienating these same manufacturers if they believe Motorola Mobility is gaining an unfair advantage. By acquiring a smartphone-maker, Google is now competing with its own licensees.
“They could optimize Android for Motorola hardware,” Greengart said. “They could optimize Android so that it gets better network performance, better battery life, all the things that Apple does by owning both the hardware and the software.”
The companies insisted that the Android community dynamic would be unchanged. Motorola Mobility will continue licensing the platform and will have to compete with other manufacturers for Google’s Nexus program, which selects a lead device manufacturer each year to build phones for the holiday season.
“The acquisition is going to run as a separate business,” Andy Rubin, senior vice president for mobile at Google, said in a conference call with analysts. “Motorola will be part of that bidding process.”
Google also lined up endorsement quotes from partners, including Samsung and HTC. Behind the scenes, however, device manufacturers could be preparing to lessen their dependence on Android and look to other operating systems. Such a move is unlikely to happen in the short term because of Android’s strength. In the second quarter, Android accounted for 43 percent of worldwide smartphone sales, up from a 17 percent market share a year earlier, according to Gartner Inc. Apple’s iOS, which is a closed system, commanded an 18 percent market share.
“Could Google alienate some of its licensees? Yeah, absolutely, but there’s not many other places for them to go,” said Kevin Burden, practice director for mobile networks at ABI Research.
For Android partners seeking an alternative, the most plausible is Microsoft’s Windows Phone operating system. Microsoft and Nokia have formed a strategic partnership to jointly develop products based on the software. But the operating system has plenty of room to grow with other players, as Microsoft’s share of worldwide smartphone sales in the second quarter was just 1.6 percent, according to Gartner.
If the Google-Motorola Mobility relationship “really takes off, and these Google flagship phones become the Android phones to have, I wouldn’t be surprised to see HTC, Samsung and others gravitate toward Windows Phone 7,” said Chris Silva, mobile industry analyst at the Altimeter Group.
“If you’re an employee or somebody hoping Motorola stays in the game and stays as a corporate presence, this may not be good news for you,” Merges said. Page, however, told analysts on the conference call that he was enthusiastic about Motorola Mobility’s product road map and collaborating with Jha. “We’re really excited about this whole business and working with the Motorola team and all the hard work that’s been done over the years,” he said. “There’s tremendous opportunity here. Android is growing like crazy.” Analysts also pointed out that Google would benefit from bringing a hardware manufacturer into its fold. Motorola Mobility will “have a say in Android OS development, which is going to be good for both,” said Ronald Gruia, principal analyst at Frost & Sullivan. “Sometimes you do need the hardware angle, and these guys are going to give it to them.
Original from:chicagotribune.com
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Sony hopes that the Handycam HDR-TD10 will launch in a new era of the camcorder, as it is the company first fully 3D capable consumer device. While Sony it is not set the TD10 on the CES made his debut in January, to start, until late in Q2 but DigitalCameraReview received extensive practical time with 3D Handycam, which Sony are claims of the first production units to the line of roles.
While we keep check judgment us for our full when it ships, we can say with certainty that 3D shoot a number present new challenges, and Sony has a lot of work to do in the consumer education in the and outs of 3D videography.
The great camera
The TD10 is different from the industry trend of lighter and smaller HD as it essentially hidden two camcorders in a camcorder is. It has two lenses and two CMOS sensors, which requires that 3D effect (think of the two lenses mimics two human eyes, in the light of the fact that people can handle what they see in a 3D image with two eyes), and 64 GB on-board memory to achieve.
First we were amazed by its size, but grew quickly accustomed thanks to robust design and excellent balance. The TD10 feels very solid, and its size actually makes it easier to secure for sustainable shooting. As noted are a product manager about light cameras they keep hard to stable. Even something as easy as the shooter can pulse in the form of light spots and unevenness in the resulting video register.
It also helps that that the TD10 features Sony’s usual array of camcorder welcomed like 3D shoot another consideration features such as smart auto “dummy mode” and excellent image stabilization, which is adds to compose a shot. As we discovered during the filming of the only, what is worse than bumpy is footage film holprigen 3D.
Perhaps the most remarkable feature of 3D glasses free 3, 5-inch touch display is. Using similar technology to the last group of 3D smart phones and Nintendo 3ds, called “Parallax,” allows the TD10 display users, monitor the footage, shown monitor or HDTV in a 3D with the three-dimensional effect.
There are still kinks with Parallax displays, including a limited sweet spot for viewing the 3D, but we expect that those will be elaborated in subsequent product generations. And on the TD10 that glasses free 3D is novel and a damn fun.
Filming in 3D
DCR spent much of the day on which Sony where Spider-man and countless other movies – turned Studio lot in Los Angeles – same lot for a crash course in 3D film.
This was absolutely necessary, because the items that are not obviously visible on success or failure of good 3D. For example, situations such as a black couch against a white wall in “ghosting”, or a part of the image can result in high contrast. In addition, it is important to keep track of all the action in the framework. Each subject cut off of the edges of the frame which distorted 3D effect and appears unnatural.
The question of convergence, and what role it plays in the creation of 3D effects. Sony stressed this most. A convergence is essentially the point at the alignment of the two camera lenses on a subject – just like your two eyes focusing on an object. For the 3D effect this point often the baseline is, with the level of the display, with each object to the topic, the pop-off the screen and everything set published subject in the background.
With the TD10, users can manually adjust to the convergence and pull it forward in the direction of the Viewer, something on the topic of viewer’s private space front, and seemingly entry actually caused leap after. Or, they can level going back to the convergence, pushing the action lower in the level set.
Various shooting situations call for different levels of convergence and the TD10 is equipped, which offers the best guess of the shooting situation for those not to disrupt, automate it with a different image monitoring control.
The 3D future
It will be interesting to see how consumers, the TD10 and consumer-class 3D react camcorder. It seems that success of the products is at least partially depend on how well consumers adapt to shoot in 3D. There is a learning curve, and it is easy to do it wrong. It is also easy to see, consumers turned off, blurry because their 3D is used, the technology or vibration is.
Regardless of how consumers will take first on 3D, there is little doubt that the technology is (HDR-TD10 is now available and relatively inexpensive, retailing for about $1,500) and if you have it on your next camcorder, probably have it on your next HDTV, Smartphone, or portable gaming system.
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Sony’s new HXR-NX5E NXCAM is their first professional AVCHD camcorder and is capable of recording stunning quality 1920 x 1080 images at 24 Mbps (50i or 25p), as well as supporting 720/50p and Standard Definition recording. Dual media is also supported to further enhance operational flexibility.
The NX5E primarily uses readily available and affordable consumer Memory Stick Pro memory cards aswell as SDHC Class 6 cards, but there is also the optional add on HXR-FMU128 128GB Flash Memory Unit offering 11 hours recording time at 24Mbps. As with Sony’s HYBRID HDV range, usage of the media is designed to be as flexible as possible – allowing simultaneous recording to dual media or a choice between media depending on the customer requirements.
To fully realise the potential of the AVCHD codec in a compact camcorder, the HXR-NX5 utilises much of the same advanced technology used in the multiple-awarding winning HVR-Z5E. Sony’s newly designed G Lens provides excellent resolution, colour and contrast, in combination with 3 x 1/3-inch Exmor CMOS Sensor system using ClearVid array for excellent low-light sensitivity.
The ergonomically designed body allows flexible shooting under any conditions, while maintaining Sony’s worldwide reputation for quality and high performance.
All NXCAM Camcorders come supplied with a 2-year PrimeSupport contract which offers unique extra services and benefits for added peace of mind.
HXR-NX5E Key Features:
- Sony’s exclusive high-performance “G Lens”
- Major “G Lens” Features on NXCAM
- Natural-touch Lens Operation
- 1/3 inch-type 3 Exmor CMOS Sensor system with ClearVid array
- Enhanced functionality with the technology of Exmor
- Selectable AVCHD recording Modes
- Active SteadyShot
- GPS Metadata
- HD-SDI Output
- HDMI output connector
- XtraFine LCD Panel
- XtraFine EVF
- InfoLITHIUM™ L Series Battery Compatibility
- One-touch Clip-type Microphone Holder
original from:proav.co.uk
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